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LEAD ROLES TO BE CAST FIVE YOUNG MEN ADRIAN ---- FRED ---- KEN ----VICTOR ----MICHAEL Leiber and Stoller wrote for two famous African-American quartets: The Drifters and The Coasters We are looking for the quartet of VICTOR, ADRIAN, KEN and FRED to evoke the sound and style of these two quartets. They do not all have to be African-Americans, but must fit the style. As described in the R & H production notice: “Most of the comedy rests with VICTOR, (the preening bad-boy) some with ADRIAN (the slow one). “Leiber and Stoller also wrote for two powerful figures of white rock and roll – Dion (of Dion and the Belmonts) and, of course, Elvis Presley. In the show the Elvis material has been distributed fairly evenhandedly to the various performers, but it is essential that a white singer, MICHAEL, be able to evoke a memory of Elvis (and Dion and Fabian and all those other duck-tailed teen idols) without doing an Elvis impression or camping his way through a GREASE-inspired parody. MICHAEL should be genuinely suave and impressive. Sexy wouldn’t hurt.”
DELEE ---- B.J. ---- BRENDA ---- PATTIE “B.J.’s character was inspired by the titantic rhythm and blues shouter Big Mama Thornton, who recorded the original version of ‘Hound Dog.’ Big Mama was a woman of size, arrogance and great good humor.” “DELEE should evoke both the innocence of the teenage girls who fell in love with Elvis and Dion and Fabian and Frankie Avalon on the Dick Clark Show, and the wild streak that all of us dreamed about such girls having. She is Brenda Lee, but sometimes she wants to be Jane Mansfield.” “PATTIE is the throaty voice of experience; a little older-but-wiser, she anchors the more serious moments, and may even seem to come from a slightly later period (Janis Joplin, Tracy Nelson, Bonnie Raitt) than the rest of the company.” “BRENDA is a combination of savvy, wit, brains and beauty that is born of the line of stunning rock and roll divas which has included Ruth Brown, LaVern Baker, Tina Turner and Patti LaBelle. She must have timing and sexuality to deliver her big moment, which is called ‘Don Juan’”. ENSEMBLE DANCERS ALL DANCERS ARE IN ACT I: “NEIGHBORHOOD,” “DW WASHBURN,” “SAVED,” ACT I 1. “NEIGHBORHOOD” 2. “YOUNGBLOOD” 3. “FALLING” 4. “RUBY BABY” 5. “DANCE WITH ME” 6. “NEIGHBORHOOD” (REPRISE) 7. “KEEP ON ROLLIN’” 8. “SEARCHIN’” 9. “KANSAS CITY” 10. “TROUBLE” 11. “LOVE ME/DON’T” 12. “FOOLS FALL IN LOVE” 13. “POISON IVY” 14. “DON JUAN” 15. “SHOPPIN’ FOR CLOTHES” 16. “I KEEP FORGETTIN” 17. “ON BROADWAY” 18. “DW WASHBURN” 19. “SAVED” 20. “BABY, THAT IS ROCK & ROLL” 21. “YAKETY YAK” 22. “CHARLIE BROWN” 23. “STAY A WHILE” 24. “PEARL’S A SINGER” 25. “TEACH ME HOW TO SHIMMY” 26. “YOU’RE THE BOSS” 28. “TREAT ME NICE” 29. “HOUND DOG” 30. “LITTLE EGYPT” 31. “I’M A WOMAN” 33. “LOVE POTION #9” 34. “SOME CATS KNOW” 35. “JAILHOUSE ROCK” 38. “I WHO HAVE NOTHING” 39. “STAND BY ME”
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P.O. Box 2554 | West Lafayette, IN 47906 | 765.463.0690 phone | 765.463.0690 fax © TippeCanoe Players Dinner Theatre 2007 |
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